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Classic fads have a way of resurrecting when you least expect it. Retro always comes back, and nostalgia for the 1980’s seems to be lasting longer than the decade itself. As luck would have it, more to come as the Sword and Sorcery subgenre is set to retake flight. Not only are we expecting the Masters of the Universe reboot to kick off the summer, but we recently received an announcement that the long-teased King Conan starring Arnie will finally be entering production
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Julie Pacino spent a decade and a half harnessing an eye for visuals, and she arrives on the festival circuit with her feature debut, I Live Here Now, a film that plays on the viewer’s presumptions and misconceptions. We are living in a time of grim uncertainty, and in these times, genre movies, like horror, flourish in spite of the political and social climate because of their ability to help viewers process complex emotions. As movie viewers, we can recognize that even the films themselves are aware of the predecessors they may be compared to. This may seem patronizing or it could be a sincere exploration.
Unsettling and already divisive among horror fans, When Evil Lurks is a film that is fully aware of what it’s doing. There’s hardly any buildup and it hops from one scenario to another in a plot that many will compare to other possession films. However, there are some fresher ideas hidden amongst the corpses splayed throughout the running time.
Catching up with 2022 releases might seem like a tedious task considering that this era has been one of the best for the genre in some time. With a multitude of successful franchise reboots, golden age horror auteurs back in action and original works taking the world by storm, there’s a little something out there for everyone. 2023 looks to be even more fulfilling for the fans, and while we prepare for what’s to come, here is a list of ten titles that you should check out before the end of this year.
Well horror fans, another year has come and gone, and what a surreal year it has been. A year where August felt too long and October was gone in a flash. A little off balance there, but man, have we seen some sights on our screens. Many icons returned, both in front of and behind the camera. Sam Raimi made the first scary movie in the MCU, and the horror elements of Batman comics were finally brought to the big screen. Horror has managed to be fun and serious on all spectrums, and the promise of what’s to come is a great note to end on. Before we embark into 2023's uncharted territory, let’s take a look back at some of the best features to shock and entertain from 2022.
A haunted, happy holiday from us at HorrOrigins. Another crazy year is coming to a close, and the season of giving is upon us. Last year, I ranked a list of the Top 10 Christmas Horror Films; this year, we’ll take a look at something just as common. There’s almost always a Christmas episode with every popular show, and you can probably imagine that one episode of a family sitcom, where everything comes together in the end. Yeah, that’s not always the case when it comes to horror stories. Just ask Dickens; the most famous Christmas tale is a scary story down to its core. Sometimes, it’s important to learn the lessons of the season the hard way. From anthologies old and new, it’s the most wonderful time for fear. If you’re looking for something new before you re-watch the “Christmas Party” episode of The Office, consider these entries.
We’re all familiar with exorcism movies. Whether it’s the head-turning anguish of The Exorcist or the fun of its many spiritual sequels, horror fans have been entertained by them for decades and the idea of possession has been woven into tales for centuries. The truth is, with so many stories in this vein, the subgenre often feels bloated but fear not; a new and clever film has proven there’s still life in tales of the demonic. Legions was the best surprise of Fantasia Fest because it embraced the ridiculousness with open arms and had an undeniable heart.
Casinos and gambling have long existed, but their popularity remains at an all-time high. In 2021, casinos and mobile gambling apps raked in $53 million in revenue, and those numbers may continue to rise in the coming years. Considering the glitz and glam associated with them now, it may seem unlikely for horror to stem from something like a poker game.
It’s been a while since we talked about Dario Argento, hasn’t it? Italy’s “Master of Horror” has had an undeniably influential career that cannot be matched. Aside from bringing Giallo to American audiences, he’s haunted us with zombies, witches, and demons (oh my!). His career was strong for decades, but when everyone’s favorite director hits a slump in their later years, Argento fell off a summit and seemed to try and fail to take off again like a bird with a broken wing. It’s common knowledge among horror fans that The Stendhal Syndrome is the last great Argento film (The Card Player is debatable), while the rest lack a percentage of the effort he put in up to that point. My theory is the loss of rival horror master, Lucio Fulci, left him without reason to push forward and he was just keen to coast. His last film could have been 2012’s Dracula 3D, which at least has the visual look of a 90’s FMV game to keep it interesting. There was that Iggy Pop, Sandman based film seemed to rob its Kickstarter backers, but we’ll turn a blind eye to that in order to segway into his first completed feature in almost a decade: Dark Glasses. Has the time away from the director's seat brought back that style and energy, or is this the final nail in the career coffin?
For all the modern anxieties that permeate the surface of Andy Mitton’s THE HARBINGER, it’s the image of one hand grasping another that sticks in my mind. THE HARBINGER has got a lot on its mind: the COVID-19 pandemic, isolation’s effect on mental health, and the horrifying implications of endangering those you love. It’s all heavy stuff, and could easily become overwhelming. It’s the humanism at the center of the film that keeps that from happening.
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